- HD中字
龟梨和也,深田恭子,伊势谷友介,小泽征悦,小出惠介,山本浩司,涩川清彦,田口浩正,光石研,岛田久作
- HD
王子清,董小白
- HD中字
塞缪尔·勒·比汉,马克·达卡斯考斯,杰瑞米·雷乃,文森特·卡索,艾米莉·德奎恩,雅克·贝汉,Christian Marc,Karin Kriström,菲利普·纳翁,Virginie Darmon,Vincent Cespedes,汉斯·迈尔,Jean-Paul Farré,Pierre Lavit,Eric Prat,伯纳尔·法西,爱迪丝·斯考博,让·雅南,让-弗朗索瓦·斯泰弗南,尼古拉斯·瓦德
- HD
稻垣吾郎,草彅刚,北乃绮,坂上忍,石原里美,小池彻平,桐谷美玲,菜菜绪,黑木瞳,町田启太,刚力彩芽,岛崎遥香,广濑爱丽丝,藤本泉
- HD
晋松,马率,蒋蕊泽
- HD中字
Yoná,Magalhães,奥顿·巴斯托斯,Maurício,do,Valle
- HD
迈克尔·道格拉斯,莎朗·斯通,乔治·杜兹达扎,珍妮·特里普里霍恩,丹尼斯·阿尔恩特
- HD中字
北村一辉,李丹,柏谷享助,田口智朗,竹中直人,哀川翔,大杉涟,菅田俊,凯撒武志,水上龙士,塚本耕司,渡边哲,伊藤洋三郎,翁华荣
- HD中字
汤姆·汉克斯,奥黛丽·塔图,伊恩·麦克莱恩,让·雷诺,保罗·贝坦尼,阿尔弗雷德·莫里纳,尤尔根·普洛斯诺,让-伊夫·贝特鲁,伊什尼·齐科特,让-皮埃尔·马里埃尔,玛丽-佛朗索瓦·奥多伦,弗朗切斯科·卡尔内卢蒂,塞斯·盖贝尔
- HD中字
迪娜·霍瓦索瓦,Milan,Bahúl,Joachim,Kemmer,卡拉拉·伊莎娃,Jana,Svandová
- HD中字
卢桂兰,尹达,张南,刘洪坤,张雄
- HD中字
索拉·伯奇,凯特琳·斯塔西,梅肯·布莱尔,萨沙·弗若洛娃,Audrey,Gerthoffer,Valeria,Jauregui,Olivia,Rose,Lazell,Brent,A.,Riggs,Shonagh,Smith,Isai,Torres,Chelsea,Woods
- HD
弗兰·克朗茨,佩德罗·帕斯卡,伊薇特·耶茨,Emma,Fitzpatrick
- HD中字
Jason,Crowe,Dan,Nye,Jessica,Schroeder,Arthur,Cullipher,Shane,Beasley,Kirk,Chastain,Kate,Braun,Ellie,Church,Jennifer,Lee,Kelsey,Carlisle,Matt,Keeley,Robert,Aaron,Mitchell,Phyllis,Munro,Sheri,Darling,Scott,Maus,Melissa,Papel
- HD中字
约翰·佩恩,朗达·弗莱明,阿琳·达尔,肯特·泰勒,特·德·科若,兰斯·富勒,巴迪·贝尔,亨泽尔,Gloria,Victor,Fred,Aldrich,默里·阿尔珀,埃伦·科比,萨姆·弗林特,弗兰克·格斯特,Roy,Gordon,迈伦·希里,弗兰克·詹克斯,Barry,Norton,威廉·菲利普斯,乔治·E·斯通,Hal,Taggart,Arthur,Tovey,乔治·华莱士
Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.